The 19th scene we shot. These animations were always going to be tricky, so we made sure to leave them until towards the end so we'd have some experience. We got it all in one take, which was good because our filming technique for these agent shots was somewhat destructive.
Once again, a lot of time was spent looking at the original movie footage to work out who went
where. The rigging was all hidden behind the main agent at the front again, too. You'll notice
that this lead agent is standing on a little black square. He needed to twist on one foot, and
this seemed the easiest way of doing it without it being too obvious.
The arms were mounted on a strip of plastic cut out of a video cassette cover and strengthened
with the wire from a twist-tie.